English 1121 Project

Working in Groups: A Collaborative Study of the Art of Persuasion

Main Assignment | Plan for Completing this Project | Process Memo | Project Requirements | Additional Readings

Goals:

1. To work collaboratively with other writers on an assignment.
2. To explore how texts (words and images) get the readers' attention and cause them to change their thinking or behavior.
3. To practice using a model for rhetorical analysis.


Main Assignment

Working with a partner, choose one of the following options:
  • Select or invent a product or service and then create a one-page (8 1/2" x 11") advertisement for that product. Obviously, in doing so, you'll want to consider visual qualities as well as word choices. You may want to use PowerPoint or PageMaker, available in the computer lab, to create your ad.  You may also choose to create your ad as a Web page.

  • In addition to creating an ad, write an explanation of your ad's persuasive qualities: purpose, language and image, audience, context, and evidence (P.L.A.C.E.).

OR
  • Rather than creating your own advertisement, analyze two different ads for the same product or service. First analyze the persuasive qualities of each ad; then compare and contrast the two. In doing so, you'll want to consider the visual qualities as well as word choices of each ad. Use P.L.A.C.E. to guide your analysis.
Go to the Student Center in the Commons to learn more about writing groups.

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Plan for completing this project

There are two parts to this project: collaboration and persuasion. Each part involves writing, reading, and thinking..

Part I: Learning about Collaboration

Step 1: Writing
    Do some free-writing or make a map about the experiences you have had as a member of a group or team. What was good about this experience? What was bad about it? How do you feel about working with a partner on this project, "A Collaborative Study of the Art of Persuasion"?
Step 2: Reading
    In the New Centruy Handbook, read:
    • "Collaborate," section 4c
    • "Build community through electronic mail," section 21b
    • "Collaborative writing via networks," section 21a-4.
Step 3: Thinking
    Meet with your partner and discuss how you are going to work together to complete this project. You may meet on line, on the phone, or in person.  For tips about meeting online, read "Small Conference Groups."  You and your partner should each have signed up for the same small group conference room for this class.

    When you meet with your partner, you should answer these questions:

    • Which option are you going to choose?
    • What strengths do each of you have to share in this work?


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Part II: Learning about Persuasion

Step 4: Discovery Writing
    Do some free-writing or make a map about a time when you were persuaded by an advertisement to buy a product or service. Describe what you remember about the ad? Why did it persuade you?
Step 5: Discovery Reading
Step 6: Discovery Thinking
    Together with the other students in the class, practice doing P.L.A.C.E. analyses with sample ads selected for class discussion.
Step 7: Planning Collaboratively
    With your partner discuss how you can best work together to draft your analysis. Using your map or outline, will each of you draft different sections of the analysis? Or will one of you compose a first draft and then the other revise that for a second draft and so on, taking turns to develop the paper? Perhaps one of you was the artist who did most of the work in creating the ad; now the other partner, the analyst, will draft the analysis. Experiment with different ways of working together. Keep in mind that teams work best when the partners feel they are contributing equally to the accomplishment of the project.

    Go to Planning at the Writers' PLACE and review the strategies for asking questions, gathering information, locating sources, mapping and outlining.

Step 8: Thinking collaboratively
    Thinking about P.L.A.C.E.: Using the questions listed in the P.L.A.C.E. map, discuss with your partner the persuasive qualities of the ad(s) you've selected. How effective is each ad in accomplishing its purpose with its target audience? What gives the ad its strongest impact? Language? Images and graphic details? Evidence?
Step 9: Drafting collaboratively
    About P.L.A.C.E. Make detailed notes about your analysis of each of the five elements of P.L.A.C.E. Then make notes about your findings. If you created an original ad, how effective is your ad in accomplishing its purpose with the target audience? If you are comparing and contrasting two published ads, how are the ads similar? How are they different? What do these similarities and differences have to do with the ads' purpose(s) and target audience(s)?

    Use outlining or mapping to create a pattern of organization for your notes. Decide with your partner how you are going to draft your paper. Is each of you going to write a section and then you put the sections together? Or are you going to sit down at the computer together to write a first draft? Write a first draft of your analysis.

    See a sample student paper: "Ad Analysis" by Tina Christopherson and Paula Denny.
Step 10: Giving and Receiving Reader Response
    View the PowerPoint presentation "Working in Groups: Giving and Receiving Reader Response."

    Throughout the drafting process, your team should meet regularly with another team to share your work and give feedback on your drafts. Keep in mind the different kinds of responses writers can seek from readers at the various stages of the writing process. Ask your group the questions that seem most appropriate and helpful to you at the time.

    Keep notes of your questions and your readers' responses as you work together. Use these notes to answer the question asked in the prompt for your process memo: "What kinds of response did readers give you when you shared your work with your group?" In your process memo talk about how your readers' responses were or were not helpful to you.

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Process Memo

Write a one- to two-page process memo that answers these questions:
  • How did you and your partner decide which option to choose?
  • How did you work together as a team? How did you divide up the tasks to complete the project?
    • Who came up with the ad idea or located the ads you chose?
    • How did you work together to design your own ad or analyze the published ads?
    • How did you plan your analysis together?
    • How did the two of you handle note-taking and drafting?
    • How did you share the work of the final draft?
    • What kinds of response did readers give you when you shared your work with your group?
    • How does this collaboration compare with other teamwork you have done in the past?
  • What advice would you give other students attempting this assignment next term?
  • Do you have any questions about your writing or this class?
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Project Requirements

To receive credit for this project, you each must turn in
___ your own notes
___ any working drafts you may have
___ the final draft of your group's report
___ your individual process memo.

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Additional Readings

Brockman, Elizabeth B.
"'English Isn't a Team Sport, Mrs. Brockman': A response to Jeremy." English Journal 83(Jan. 1994):60.
Christopherson, Tina, and Paula Denny.
"Ad analysis." (Sample student paper).
Elbow, Peter, and Pat Belanoff.
"Sharing and Responding." A Community of Writers. (2nd ed.). New York: McGRaw-Hill Inc., 1995.
Han, Sang-Pil.
"Persuasion and Culture: Advertising Appeals in Individualistic and Collectivitistic Societies." Journal of Experimental Psychology 30(July 1994):326.
Keller, Punam Anand.
"Increasing the Persuasiveness of Fear Appeals: the Effect of Arousal and Elaboration." Journal of Consumer Research 22(March 1966):448.
Page, Loraine.
"Not Without Each Other." Writer's Digest 74(Nov. 1994)50.
Peracchio, Laura A.
"Evaluating Persuasion-enhancing Techniques from a Resource-matching Perspective." Journal of Consumer Research 24(Sept 1997):178.
Samuelson, Paul A.
"On Collaboration." The Economist 40(Fall 1996)16.
Toyama, Jean, Eleanor Wilnor and Neil Altizer.
"Renshi: a Linked Essay on Linked Poetry." Michigan Quarterly Review 36 (Winter 1997):87.


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